favorite references

  • Elsebeth Gynther: Easy Style: Sewing the New Classics

    Elsebeth Gynther: Easy Style: Sewing the New Classics
    A fabulous book if you have the urge to create your own clothing designs. Basic patterns are provided, along with countless variations in sketches and photos. In addition to raglan and set-in-sleeve tops, pants, and skirts, there are pocket patterns, hats, and dozens of collars. There is a lot of basic sewing information, and there are many garments presented with step-by-step instructions, but this book is especially valuable because it gets you thinking about design possibilities. (btw the image is incorrect--it's the cover of an american knock-off on the same theme. The original is a paperback in yellow). (*****)

  • Nina Ericson: Klader:Creating Fantastic Clothes
    Great ideas for creating simple clothing. Most have very simple construction; the appeal is in using unusual materials to convey personal style. There are patterns for blouses, skirts, and coats, but for me the inspiring photos of real people are the true charm of this book. (****)
  • Verity Wilson: Dress in Detail from Around the World

    Verity Wilson: Dress in Detail from Around the World
    An inspirational feast for lovers of clothing, cloth and embellishment. Replete with detailed line drawings and sumptuous full-color photographs of garments from all times and places: Palestinan dresses, Indian trousers, Korean jackets, Russian coats (of salmon skin!), African tunics. The photos provide endless ideas for ornamentation, the drawings show every seamline as if to cry “recreate this!”. I just found this book-- it was love at first browse. (*****)

  • Madelyn van der Hoogt: The Complete Book of Drafting for Handweavers

    Madelyn van der Hoogt: The Complete Book of Drafting for Handweavers
    With my imagination in a very advanced yoga pose, I could conceive of a weaver who didn't need this book. Maybe if you did only plain weave, or only tapestry, you'd never have reason to pick up this volume. Or of course you might be a natural genius. The rest of us occasionally need some help, and this is where to find it. Essential. (*****)

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February 22, 2005

change of plans

Yesterday I prepared a little andean woven band for a class demonstration today. It's a class my boss is teaching and he asked me to give a short explanation at the beginning of the session before we moved on to talking about the assigned articles. I trundled in this morning with a simple warping board and some cones of yarn.

At quarter to ten I got a phone call from my boss, sounding very out of sorts. He said his wife's car had broken down and he was running late. At quarter to eleven, he fumed into the office. "My car almost blew up!" he shouted. "I can't believe this! It was spewing smoke..." he spent the next half hour or so on the phone to AAA and car dealerships, and said "you'll have to take over class. I'm out for the day. Just give them a weaving demonstration, discuss the readings, you know."

Um. Yeah. Did I mention I'm not a professor?

So around eleven this morning I found myself with a one and a half hour class to teach, starting at one thirty. Thank goodness I'd already planned on the demonstration, otherwise I don't know what I would have done. Luckily I also found in my office cabinet various weave structure samples and some examples of cloth from the Andes that I've used before. How long can you keep non-weavers interested in weaving techniques?

As it turns out, almost an hour and a half. Explaining spinning to people who have never thought about yarn as something that needs to be made can generate a lot of questions in itself. Then there's warping-- what's a cross? Why do you need it? What's a warp? What's a heddle? I confess it's rather fun to talk about one of my favorite subjects. They had lots of great questions. The girl who usually dozes through powerpoint presentations seemed wide awake the whole time. At the end, as I was gathering together the examples I'd spread out all over the table, one of the girls asked me if I teach. Not often, I told her, but I've taught at some weaving conferences and given little workshops here and there. "What's the best way to learn?" she asked.

"Around here... probably the best way would be for us to get together and I'll show you what I know."

"Really? Would you do that? Because," nodding to her two friends, "all of us live in the same house and we really want to learn, we think it's totally cool."

Imagine that!

Comments

Nice work! Some boss you've got there....

;-)

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