favorite references

  • Elsebeth Gynther: Easy Style: Sewing the New Classics

    Elsebeth Gynther: Easy Style: Sewing the New Classics
    A fabulous book if you have the urge to create your own clothing designs. Basic patterns are provided, along with countless variations in sketches and photos. In addition to raglan and set-in-sleeve tops, pants, and skirts, there are pocket patterns, hats, and dozens of collars. There is a lot of basic sewing information, and there are many garments presented with step-by-step instructions, but this book is especially valuable because it gets you thinking about design possibilities. (btw the image is incorrect--it's the cover of an american knock-off on the same theme. The original is a paperback in yellow). (*****)

  • Nina Ericson: Klader:Creating Fantastic Clothes
    Great ideas for creating simple clothing. Most have very simple construction; the appeal is in using unusual materials to convey personal style. There are patterns for blouses, skirts, and coats, but for me the inspiring photos of real people are the true charm of this book. (****)
  • Verity Wilson: Dress in Detail from Around the World

    Verity Wilson: Dress in Detail from Around the World
    An inspirational feast for lovers of clothing, cloth and embellishment. Replete with detailed line drawings and sumptuous full-color photographs of garments from all times and places: Palestinan dresses, Indian trousers, Korean jackets, Russian coats (of salmon skin!), African tunics. The photos provide endless ideas for ornamentation, the drawings show every seamline as if to cry “recreate this!”. I just found this book-- it was love at first browse. (*****)

  • Madelyn van der Hoogt: The Complete Book of Drafting for Handweavers

    Madelyn van der Hoogt: The Complete Book of Drafting for Handweavers
    With my imagination in a very advanced yoga pose, I could conceive of a weaver who didn't need this book. Maybe if you did only plain weave, or only tapestry, you'd never have reason to pick up this volume. Or of course you might be a natural genius. The rest of us occasionally need some help, and this is where to find it. Essential. (*****)

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October 06, 2004

soaking

Last night I wound a bobbin with the singles linen and began to weave. Immediately I remembered why I always used to soak linen bobbins in water before putting them in the shuttle. I got a few inches done, but every pick the wiry yarn leapt off the end of the bobbin and twirled around the tension pegs. After a few inches I cut the weft and stuck that bobbin in a jar of water overnight. This morning's attempts were much easier. I love linen! It has a character which is not always easy to tame, but it makes beautiful fabric and is probably my favorite fiber to wear. The weave structure is coming out the way I designed it to, which is good, but I can't yet tell what effect the handspun will have, if any. If it just lies there like a slubby thread, it will still be pretty, but at some point in my weaving life I want to get a clear understanding of yarn energy.

Because the handspun is so thick in places, this is sleyed in an 8 dent reed, which means most of the fabric has a denting pattern of 3/4/3/4... the reed marks are very obvious right now, but I am pretty confident that they will wash out.

My mother is coming to visit me at the end of this month. She's a passionate knitter and has recently taken up Navaho weaving, so she can't come to Massachusetts without visiting WEBS. She told me to start making a list, as if I needed a list, or as if that would help curb the expenditures once I got there! Here's item one: check to see if they have very short reed pieces.

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