favorite references

  • Elsebeth Gynther: Easy Style: Sewing the New Classics

    Elsebeth Gynther: Easy Style: Sewing the New Classics
    A fabulous book if you have the urge to create your own clothing designs. Basic patterns are provided, along with countless variations in sketches and photos. In addition to raglan and set-in-sleeve tops, pants, and skirts, there are pocket patterns, hats, and dozens of collars. There is a lot of basic sewing information, and there are many garments presented with step-by-step instructions, but this book is especially valuable because it gets you thinking about design possibilities. (btw the image is incorrect--it's the cover of an american knock-off on the same theme. The original is a paperback in yellow). (*****)

  • Nina Ericson: Klader:Creating Fantastic Clothes
    Great ideas for creating simple clothing. Most have very simple construction; the appeal is in using unusual materials to convey personal style. There are patterns for blouses, skirts, and coats, but for me the inspiring photos of real people are the true charm of this book. (****)
  • Verity Wilson: Dress in Detail from Around the World

    Verity Wilson: Dress in Detail from Around the World
    An inspirational feast for lovers of clothing, cloth and embellishment. Replete with detailed line drawings and sumptuous full-color photographs of garments from all times and places: Palestinan dresses, Indian trousers, Korean jackets, Russian coats (of salmon skin!), African tunics. The photos provide endless ideas for ornamentation, the drawings show every seamline as if to cry “recreate this!”. I just found this book-- it was love at first browse. (*****)

  • Madelyn van der Hoogt: The Complete Book of Drafting for Handweavers

    Madelyn van der Hoogt: The Complete Book of Drafting for Handweavers
    With my imagination in a very advanced yoga pose, I could conceive of a weaver who didn't need this book. Maybe if you did only plain weave, or only tapestry, you'd never have reason to pick up this volume. Or of course you might be a natural genius. The rest of us occasionally need some help, and this is where to find it. Essential. (*****)

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October 15, 2004

do textiles change the way we think?

I had the opportunity to give an overview of Andean textiles to some students this week. It was a lot of fun. I love to talk about textiles, and the techniques from the Andes are amazing. Living in isolation from other ancient civilizations, they independently invented just about every weaving structure known, as well as several found nowhere else. Their techniques of knotting, netting, sprang, twining and looping are similarly remarkable. The civilizations of the Andes never developed writing texts on a flat surface (they did have means of non-verbal long-distance communication, a long and involved topic). I think this may be because they have so few flat surfaces-- their world is desperately vertical. Why would you invent a wheel if there's no smooth place for it to roll? Why would you invent something which takes place on a planar surface, when you don't have much experience of planes?

Be that as it may, I think it is clear that some of the most sophisticated thinking of ancient times went into these textiles. Not just the structural techniques, but the placement of pattern, a clear understanding of the yarn required for a certain effect. Textiles were the intellectual tools they had.

Do a culture's textile techniques affect the way they think?

How might you think of the world differently if you didn't have pencil and paper, only yarn to work with?

What would your world be like if everyone you met knew the weave or knit structure of every visible article of clothing you wore? And understood the connotations?

How would you record ideas if yarn were your primary medium?

Comments

A world of yarn? Sounds pretty good.

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